Photograph by Adrian Gaut, courtesy of Friedman Benda and Adam Silverman.
Adam Silverman originally trained as an architect, a background that is reflected in the strong underlying structure of his ceramics. He also has an interest in contemporary dance, accounting in part for the sophisticated choreography of the installations that he devises for his work. What strikes one most forcefully about his pots, however, is all to do with a deep knowledge of his own discipline. The richly textured surfaces of every piece—each one a world unto itself, a material microcosm—are realized through the application of many layers of slip and glaze. The objects are fired again and again until they achieve an archaeological complexity.
As this process unfolds, Silverman reacts to the incidental (and often accidental) features that arise, adding new features of interest while potentially effacing others. It is a risk-taking approach, dense with decision-making. No wonder Silverman describes ceramics as “the gambler’s art.”
Untitled vessel in stoneware. Designed and made by Adam Silverman, USA, 2018.
17.5" L x 12" W x 10" H
44.5cm L x 30.5cm X 25.4cm H
Courtesy of the artist and Friedman Benda
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